Produced during a field visit to Bishnupur, these sketches record selected terracotta temple panels through direct observation. The series examines composition, iconography, ornamental details, and the expressive qualities of line found in Bengal’s historic temple art.

Created as handmade gifts for my family and close friends on the occasion of my wedding, these pen drawings celebrate shared memories, affection, and everyday moments. Each work serves as a personal keepsake, reflecting my belief that art can express gratitude, strengthen relationships, and preserve meaningful human connections beyond the ceremony.

Drawn from life, these portraits of friends and family are intimate studies of expression and identity. Through spontaneous marks and sensitive observation, each drawing seeks to capture the individuality and emotional presence of the sitter.

Produced during a field study at Laban Utsav, Golghore, Suri, Birbhum, West Bengal, these graphite sketches investigate the posture, expression, and movement of Baul performers. The series emphasizes direct observation as a means of understanding gesture, rhythm, and the human figure in performance.

Created through direct observation during a visit to Fatehpur Sikri, these drawings document the architectural forms, ornamental details, and spatial compositions of the Mughal monument. The sketches examine proportion, perspective, and the intricate craftsmanship of its historic structures.

Created during my undergraduate studio practice, these observational drawings explore everyday objects through careful studies of form, proportion, light, shadow, and texture. The series reflects a foundational engagement with academic drawing and visual observation.

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